Andy Carvin: "I get uncomfortable when people refer my twitter feed as a newswire. It’s not a newswire. It’s a newsroom. It’s where I’m trying to separate fact from fiction, interacting with people. That’s a newsroom."
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Flickr photo of Tunisian protests by marcovdz |
July 6th 2005 - I found myself stuck beneath the armpits of revelling Londoners as thousands celebrated the announcement that London was to host the 2012 Olympic Games. It was one of the great moments for my home city and one I'll never forget. Sadly, the following day was to prove even more memorable as four coordinated bomb attacks brought London to a standstill.
At that time I was working for GMTV as an interactive producer. I took a camera down to Trafalgar Square on the day we won the Olympic bid and we ran a picture gallery on the GMTV website, alongside an appeal for viewer photos from Trafalgar Square and their messages of congratulations. We also had a poll asking whether Brits were happy that London won the bid - believe it or not, it was not universally supported.
The following morning I was in the GMTV gallery when news of a problem on the underground hit the wires. At first it was being reported as a probable electrical fault. Within minutes we had a line to the Met Police and Transport For London as news of a second Circle Line problem and another on the Picadilly Line filtered through. Scrambling to get reporters in place and phonos with spokespeople, we broke the news to the nation that London had become a target for a series of co-ordinated attacks.
Just seven years ago, as two of the biggest stories in London's recent history broke in the space of two days, the public relied entirely on news publishers to get their information. Could you imagine if those two stories broke in London now? How would you learn about it first?
It's more than possible that the answer to this is through social media. At 1.30pm on July 6th, Twitter, Facebook, Instagram, Pinterest, Flickr and more would have been full of pictures of Brits draped around the Union Jack, videos of M People blasting out "Search for the Hero", messages to friends and family declaring "I was there", jokes, pithy commentary, informed opinion and celebrity endorsements. The nation would find out about the story simply by virtue of the fact that their ears were open. It would be difficult to avoid the conversation.
On July 7th, this would have been even more pronounced. The Twittersphere would have been full of chatter the minute the first explosion was heard (though unlike South Korea, there is no internet access on London's Tube). People would have been jumping on Facebook to let their friends know that they were okay - I had to call all my family members individually - and to share pictures and videos taken on their smartphones.
So does this mean that the importance of traditional media is dwindling? Simply put, no. While traditional news organisations are to an extent losing control over the message, they are more important than ever.
The problem with social media (and the citizen journalism output that goes hand in hand with it) is that it is entirely unregulated. The job of a journalist is to report verified facts. So the job of contemporary news telling, at least in part, is to become a social curator. While a news publisher may no longer be the first voice in the news conversation, they need to be the first trusted voice. It's a semantic difference, but one that could spell success or defeat for news organisations.
News should no longer be thought of as a product. It is now an always-on and collaborative process. News publishers need to listen as much as they speak. And then they need to filter the pertinent from the noise. They should enable the news consumer to find what's important to them quickly, easily and always accurately.
Reddit's coverage of the Toronto shooting a month ago makes for interesting reading and a possible glimpse of the news output of the future.What is unique about Reddit's style of storytelling versus traditional journalism it that it is an uneditorialised aggregation of updates available from those involved in the incident.
Fact checking is available to the reader right from consumption, thanks to the inclusion of links to the sources themselves. And while it may be somewhat difficult to read at first glance, it actually includes context that no other news publisher had when it was published. It included hard-hitting tweets from people attending the party about the potential for violence before the shooting even occurs. It also used messages posted by those involved to talk about the shooting being part of a possible gang war, including links to individual tweets from people threatening more violence. There were tweets and YouTube videos posted by members of a gang that one of the victims was apparently associated with.
Thanks to the curation of updates from those intimately involved in the story, there is more depth and context to this narrative than any other mainstream new publisher was able to produce. Ultimately, that makes for a more human story and that's extremely powerful.
Journalists need to stop seeing themselves as gatekeepers of information and start to look at journalism as a collaborative effort involving all kinds of different sources. Those who learn how to make use of all these tools will end up producing better journalism. They'll end up producing stories with greater depth and context. They'll end up telling stories that resonate more deeply with their readers on a base human level. And news publishers who have these journalists on board, will end up winning in the war of the changing worlds.